Rituals

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Rituals is a remarkable collection of poems by renowned poet, translator, editor and critic Kiriti Sengupta. This latest book explores the panoply of human experience and elucidates the meanings and rhythms of a mature poetic life. “Customs are like meditation,” writes Sengupta as he weaves religious liturgy and the opera of gods as the quotidian backdrop of a married life and experiences with his son. Not just interested in the matter of appearances as a poet, he delves into questions of what makes an Indian and how Hindu goddesses can strengthen willpower and remove the ‘venom’ from life. The mythological and the quotidian blend and inform one another, the goddess appears in iterations of the wife, the daughter, the mother. These poems also talk about Monsoon and Muri as snacks that overlap with dialogues of intellect and Sanskrit.

Themes such as nakedness and nudity are explored from the point of view of youth and maturity. Striking imagery marks the passing of time on everyday objects where the speaker can now stop and observe the beauty of human traces on life, “My tired eyes uncover the kohl of night.” The speaker is not only interested in contemplating the beauty of everyday moments but also faces his reader with the violence of the modern world, in the poem “The Untold Saga” the violence of a mythological world mirrors the violence on women practiced often in the 21st century, offering a powerful statement on the untimely death of Nirbhaya in 2012. These poems are also meditations on our place in the world as humans, the vastness of the Earth compared to our frail bodies with the invitation to reconnect to the natural world.

Additional information

Weight 0.5 kg
Dimensions 8 × 5 × 0.5 in
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Hawakal Publishers

Release Date

29 March 2019

Press Reviews

Sengupta adopts a unique, minimalistic style filled with buds of fine imagery. His verse has the power to absorb immense and expansive ruminations and then bear a most tender, glass-like condensed countenance. It is as if he weighs the words and always knows just the right number of letters for his concoction, an alchemist of verse.—Asian Cha

It would be naïve of us to call the book religious or spiritual. In fact, Sengupta’s poetry is far removed from so-called divine seeking. His poems are more akin to the Upanishads—they observe, they analyze, they probe deeper into the very essence of phenomena, and then, they raise questions that remarkably look out for truths.—The Critical Flame

In this collection, we learn of human deviance, powerlessness before nature, the beauty of birth and marriage, and the behaviours we indulge to ritualise our lives. Life becomes holy, serious, and contemplative in Rituals. By paralleling Cubist and postmodernist ideas of truth, Sengupta develops a contemporary ethos of cultural relativism. By writing a memoir, he becomes an observer of life and a recorder of human frailty.—The Statesman

Sengupta’s poems stand out for depicting the divergent roads—from dark alleys to luminous lanes. Change is inevitable and Sengupta himself sets out as a wandering minstrel to bring out the inner psyche within the poetic canvas. His poems, vibrant with an insatiable zest for life, give readers a healing touch, silence plays the flute, and readers plunge into “solitary stillness” where poetry pervades.—Colorado Review

About Author

Know more about Kiriti Sengupta

While making deities of goddess Durga, the sculptors take a pinch of soil from the yard of sex workers and add it to the clay dough. It’s a ritual that has been followed religiously for ages. How will this goddess save her followers? How does the society treat prostitutes? Do they enjoy freedom of expression at all? Does patriarchy allow equal rights to women at-large? A female god with a hint of brothel is no god: she prefers to keep silent even when women are abused. Perhaps, she knows that a woman’s voice will not be heard. In a recent interview with The New Indian Express, I said that worshipping a female deity has hardly altered our society’s attitude towards women. You see, when people worship Durga, they don’t remember the failure of the male gods who were unsuccessful in defeating the invincible demon, Mahishasura. It’s meant to be like that—failures of men are best ignored. It is where my understanding of faith overshadows the popular notion of religion: God is amorphous and omnigender. Read more at Colorado Review

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